Adele demonstrates the power of mystique. Merriam-Webster defines mystique as “an air or attitude of mystery and reverence developing around something or someone.” Adele creates that air of mystery by holding back. She avoids TikTok. She has tweeted only seven times in 2021, and her tweets consist of bland announcements probably written by someone on Team Adele. On Instagram, she has shared 11 posts in 2021 (and a recent Instagram Live chat with her fans). Avoiding social media is the wrong move for anyone trying to build a brand in our hyper-social attention economy. And yet, Adele’s new song “Easy on Me” has broken a Spotify record for most single-day streams even though she has not released any new music for six years.
Adele’s approach works for her. But why? Crucially, she built a devoted fan base when her breakthrough album, 21, took off in 2011. She attracted fans who were (and are) not necessarily into following music trends, social media, and pop culture — but who are into Adele. As Nielsen analyst Dave Bakula commented when Adele’s 25 was released in 2015, “[Adele is] an outlier of outliers because she brings in people who are not regular music buyers,” he told Billboard. “Maybe they haven’t bought a record since Adele’s 21.”
Adele has inherited the mantel of heartfelt singer-songwriter from the likes of Carole King and Joni Mitchell. Her fans connect with her songs at an intensely personal level. She is known to draw from her real-life relationships, which gives those songs an authenticity that resonates even more. “Easy on Me” is reportedly based on her divorce from Simon Konecki, as is her forthcoming album, 30.
Having a low profile on social strengthens that connection by keeping her fans focused on understanding Adele through her music, not through her social posts. Being on social risks exposing cracks in the Adele persona and can distract from her narrative. In 2020, she posted on Instagram a rare unguarded photo of herself wearing her hair styled in Bantu knots while she wore a Jamaican flag bikini. The post sparked accusations of cultural appropriation, a rare moment of public shaming. This was not the kind of attention that suits her narrative.
Social media is about creating impressions — little moments that create a steady stream of visibility. But Adele is in her element when she creates The Moment. Like hosting Saturday Night Live.
Or becoming the first person to appear simultaeously on the cover of both the U.S. and British Vogue.
She can control these moments. And then she can retreat behind the veil of mystique. She is like Steve Jobs with his big product reveals when he ran Apple. Adele’s latest big reveal is 30, being dropped on November 19. On Adele’s terms.